Celebrated Toronto Art Fair February 23-26, 2017 Exhibition Place, Toronto

Celebrated Toronto Art Fair Fetes a Fruitful Decade

TORONTO, ON (February 1, 2017) – Calling all art enthusiasts! Artist Project celebrates its 10th year with a four-day art fair hosted from February 23-26, 2017 at the Better Living Centre, Exhibition Place, Toronto. The overarching theme of this year’s fair is Birthday Party, connecting attendees with collectors, curators, gallerists and designers to revel in shoppable artwork from over 250 contemporary Canadian and international artists.

The fair debuts with the Opening Night Party, one of Canada’s most popular art world soirees. Guests will be greeted by a brilliant watercolour mural, The Tenth Tide, an impressive 100-foot-long front entrance installation by L.A.- based artist Tracy Hiner (see teaser at left). Bold in color and texture, the feature installation explores how paint interacts with itself and the swirling beauty it creates. The scale of the artwork allows the viewer to intimately experience the work’s depth. Tracy has created an exceptional welcome to the creativity which beckons beyond. Additional new and electrifying artists include printmaker Shogo Okada, painter Mel Gausden, photographer Simon Willms, painter Benny Bing, and textile artist Sam Pedicelli.

Installation Zone A primary Artist Project 2017 attraction is the Installation Zone, featuring artists working within a variety of mediums. A highlight includes the moving sculpture, The Girl with Paper Boats, created by past exhibiting artist, architect, and award winning sculptor, W.W. Hung. This Canadian educated sculptor and dance enthusiast is inspired by the human body’s language of movement in space.

Art Chats Artist Project’s Art Chats Seminar Series returns this year with a thrilling expert line-up sharing their knowledge from varied creative community sectors. Guests will be enlightened by this popular seminar series, offering a range of interactive talks hosted by foremost minds, featuring: current Stylecooler Host and former House & Home editor, Mark Challen; Manager of StreetARToronto StART), Lilie Zendel; arts and culture writer and The Art Market dynamo, Kate Barron; experts Manny Neubacher and Anya Shor of The Art Stylists; talented Artist Project alum Erin Loree; and more. Topics will include the basics of art buying, social media and the art market, artwork in public spaces, professional practice within the art world, and much more.

Celebrated Toronto Art Fair February 23-26, 2017 Exhibition Place, Toronto

Art Battle Art Battle #494 returns to the exhibition floor on the evening of Friday, February 24 from 7:00 p.m. to 10:00 p.m. This vibrant live competitive painting art show will have guests consumed in rounds of 20-minute competitive painting where 16 artists take to their easels and grant show-goers a window into their creative genius. Members of the audience can vote for their preferred work and can later bid in a silent auction to purchase the artwork.

UNTAPPED Emerging Artists Competition Artist Project and DeSerres will be giving recognition to 20 emerging artists through its UNTAPPED Emerging Artists Competition, one of the most popular features. Dedicated to the development of students, new graduates, and self-taught artists, the juried competition will provide a platform for emerging artists to launch their artwork at a professional level art fair at no charge. One of the 20 artists will be awarded a complimentary booth at Artist Project 2018.

Birthday Artist Competition In honour of Artist Project’s 10th annual show, this year artists are invited to submit an original work based on the interpretation of the theme “BIRTHDAY”. All competition entries will be presented in a feature exhibit at the show. Winners will be selected by a panel of jurors to receive a cash prize. Guests of the exhibit can also vote in the People’s Choice Award for their favourite entry in the Birthday Artist Competition, and be automatically entered to win $250 towards a work of art and a pair of tickets to the Opening Night Party at Artist Project 2018.

 

2016 Dora Mavor Moore Award Recipients

GENERAL THEATRE DIVISION

 

Outstanding Production

Botticelli in the Fire & Sunday in Sodom A Canadian Stage Production in collaboration with the Department of Theatre in the School of the Arts, Media, Performance & Design at York University

 

Outstanding New Play

Kat Sandler   Mustard

 

Outstanding Direction

Ravi Jain Salt-Water Moon

 

Outstanding Performance – Male

Anand Rajaram   Mustard

 

Outstanding Performance – Female

Rebecca Northan   Blind Date

 

Outstanding Performance – Ensemble

The Ensemble of The Great War VideoCabaret

 

Outstanding Scenic Design

Judith Bowden Chimerica

 

Outstanding Costume Design

Astrid Janson, Melanie McNeill   The Great War

 

Outstanding Lighting Design

Jennifer Lennon Bombay Black

 

Outstanding Sound Design/Composition

Debashis Sinha   We Are Proud to Present…

 

 

INDEPENDENT THEATRE DIVISION

 

Outstanding Production

The Winter’s Tale Groundling Theatre Company

 

Outstanding New Play

Cliff Cardinal   Huff

 

Outstanding Direction

Weyni Mengesha Butcher

 

Outstanding Performance – Male

Cliff Cardinal   Huff

 

Outstanding Performance – Female

d’bi. young anitafrika   She Mami Wata & the Pussy Witchhunt

 

Outstanding Performance – Ensemble

The Ensemble of La Chasse Galerie Red One Theatre Collective

 

Outstanding Scenic Design

Patrick Lavender   CRAWLSPACE

 

Outstanding Costume Design

Anna Treusch   Tails from the City

 

Outstanding Lighting Design

Patrick Lavender   It Comes In Waves

 

Outstanding Sound Design/Composition

James Smith   La Chasse Galerie

 

 

MUSICAL THEATRE DIVISION

 

Outstanding Production

Kinky Boots   Daryl Roth & Hal Luftig by arrangement with David Mirvish

 

Outstanding Performance – Male

Alan Mingo Jr.   Kinky Boots

 

Outstanding Performance – Female

Lisa Horner    Grey Gardens

 

Outstanding Performance – Ensemble

The Ensemble of The Wizard of Oz Young People’s Theatre

 

OPERA DIVISION

 

Outstanding Production

Siegfried   Canadian Opera Company

 

Outstanding Performance – Male

Quinn Kelsey   La Traviata

 

Outstanding Performance – Female

Ekaterina Siurina   La Traviata

 

Outstanding Performance – Ensemble

The Ensemble of AtG’s Messiah Against the Grain

 

 

MUSICAL THEATRE / OPERA DIVISION

 

Outstanding New Musical or Opera

Marjorie Chan (Librettist) & John Harris (Composer)   M’dea Undone

 

Outstanding Direction

François Girard   Siegfried

 

Outstanding Scenic Design

Michael Levine   Siegfried

 

Outstanding Costume Design

Cait O’Connor   La Traviata

 

Outstanding Lighting Design

David Finn   Siegfried

 

Outstanding Choreography

Jerry Mitchell   Kinky Boots

 

Outstanding Musical Direction

Johannes Debus Siegfried

 

 

THEATRE FOR YOUNG AUDIENCES DIVISION

 

Outstanding Production

Goodnight Moon   Young People’s Theatre presents Seattle Children’s Theatre

 

Outstanding New Play

Maja Ardal, Audrey Dwyer, Julia Tribe, Mary Francis Moore   One Thing Leads to Another

 

Outstanding Direction

Sébastien Bertrand   Les Zinspirés puissance Quatre

 

Outstanding Performance – Individual

Mishka Thébaud   Scarberia

 

Outstanding Performance – Ensemble

The Ensemble of One Thing Leads to Another Young People’s Theatre

 

DANCE DIVISION

 

Outstanding Production

Betroffenheit   A Kidd Pivot, Electric Company Theatre Production, presented by Canadian Stage

 

Outstanding Choreography

Zhenya Cerneacov, Mairéad Filgate, Brodie Stevenson

Various Concert (dance: made in canada/ fait au canada – Morrison Series)

 

Outstanding Performance – Male

Fabien Piché

Waiting for a Sleepless Night (dance: made in canada/ fait au canada – Robinson Series)

 

Outstanding Performance – Female

Jillian Peever   The Mystery of Mr. Leftovers

 

Outstanding Performance – Ensemble

The Ensemble of DanceWorks DW212: Woven DanceWorks/Tribal Crackling Wind

 

Outstanding Sound Design/Composition

John Kameel Farah and Fides Krucker Phase Space

 

Outstanding Lighting Design

Marc Parent  Phase Space

 

 

TOURING

 

Outstanding Touring Production (open to General Theatre & Musical Theatre/ Opera)

Cold Blood created by Michèle Anne De Mey and Jaco Van Dormael presented by Canadian Stage

 

The Changing of Seasons at Arta Gallery

On the evening of November 2nd, the walls of the Arta Gallery were lined with newly displayed artworks. Combining two openings into one soirée, Fay Athari, director and curator, proudly displayed Beyond Times and A Golden Glow to the Light of Day. Located in The Distillery District, the space was bright with eager guests mingling and viewing.

Tucked into a seemingly separate part of the gallery, Alexey Klokov’s Beyond The Times exhibited his solo enamel pieces. The biomorphic shapes created with bold, pure and vibrant hues were contrasted by heavy gold and black segments and white canvas backgrounds. When asked about this series, Fay Athari explained that the choices of colors were rooted in spiritual insight.

Within the main space was the collective show, A Golden Glow to the Light of Day.  This segment of the space exhibited pieces by Carmela Casuccio, Shabnam Afrand, Elizabeth Hardinge, Leah Hicks, and Manya Javadipour, Jenn and Terry Craig, and Tim Hough. Inspired by the changing of seasons, the curatorial aim of this show was to evoke the aesthetic of nature. Fay Atharia explained that “the artists are fragments of different styles and artistic practices that focused on the emotional, structural, and spiritual elements.” Within this colorful mosaic was the naturalistic oil work of Tim Hough, who was exhibiting at the Arta Gallery for the first time. His successful pieces rendered images he has captured on his travels, including a triptych panoramic painting of Ontarian Georgian Bay.

 

Both shows run until November 14th. For more information, visit www.artagallery.ca

 

Written by Amanda Lindenbach

Visual Art at Dirty Talk 2016

On the first Friday of the month, Dirty Talk held their usual Dirty Talk event at Round on Augusta Ave. The bar was alive with music and artists who lined the walls with their canvases. Through the various sizes, shapes, and styles of artwork, viewers were met with a diverse range of viewing and purchasing options.

Upon entering, it was impossible not to notice the large fleshy canvas with protruding dismembered dolls pieces. It was the work of Valerie Shvetz, a fourth year OCADu student, who proudly represented her piece. This was her first time combining two and three dimensional elements into an artwork. When asked about her intention, she explained that she “… wanted to build something visceral.” The goal was to create a womb with abscesses growing out of it, juxtaposing null colors with “disturbing content”. Valerie expressed her fondness of using found objects because of the fact that they contain memory. She enjoys finding materials in second-hand stores and discovering the histories and symbols behind them to create conceptual pieces. This artist truly embodied Dirty Talk’s mandate of “… unfiltered expression.” Valerie Shvetz specializes in painting, sculpture, and photography, and is available for commission work. You can follow her Instagram @3names_sold.

Written by Amanda Lindenbach

Art Toronto Oct 28-31, 2016

Art Toronto Oct 28-31, 2016

 

Love Me Tender Steakhouse Toronto Review

Love Me Tender Steakhouse Toronto Review by Melissa Petters

I got the call at the perfect time.. I had been craving steak all day. We were set to review “Love Me Tender”, the hot new steakhouse in The Beach. They are known for quality steak, but that’s not all. I was looking forward to sampling far more than ribeye when it came to this welcome new addition. And sample I did, with the help of my trusty sidekick and publisher, Paul Murton

We entered the newly renovated prime Beaches location to pleasant background music at just the right volume, shining hardwood floors, exposed brick and tasteful decorative touches in the form of an antique stove and eclectic artwork. It was cozy and intimate while being open and airy, with big windows overlooking the passers-by on Queen St. East. A sparkling open kitchen bustled with action as staff in white coats and hats carefully prepared one artistic and appetizing dish after another.

Love Me Tender Steakhouse Toronto Review

the escargot

We started with the brie (14). It was beautifully and colourfully presented, with deep purple poached pear cranberry chutney, and dusted cashews- these, by the way were amazing, despite my biased toward the candied version. We also shared the escargot (12), piping hot and perfectly cooked with a generous serving of cheese. So far, the only thing I would change is something many restaurants do..uneven appetizer portions. As diners often share appetizers, the ideal serving would include four/six/eight juicy snails, or, likewise, an even amount of tasty, lightly toasted bits of bread on which to spread the brie. It’s not easy to split a snail, or a tiny toast, so someone always has to sacrifice the extra portion.. And when the food is this good, having to give up a portion can lead to resentment at the very least!

 Love Me Tender Steakhouse Toronto Review

the brie

Deciding on a main course was pretty simple at first, at least on my part- steak of course. But that’s where it got difficult. The selection of cuts alone is impressive, and then you have to decide what size steak you want. It doesn’t just come with the standard choice of potato and some random seasonal veggies, but with a plethora of other choices and possible additions. It must have taken me close to 20 minutes to finalize my decision. Paul had been there before, and in the spirit of trying as many dishes as possible, he ordered the Maple Dijon Roasted Salmon Steak (28) (Center cut salmon filet glazed with Ontario Maple Syrup & Dijon Mustard). That was simple enough compared to my order, so it’s a good place to start. I’m not a big fan of most fish- tend to err on the side of caution and go with basic white fish that lacks a strong taste. Salmon is but an occasional exception, because I find it often tastes fishy as it’s not cooked properly, or not especially fresh or top quality. The salmon at LMT is certainly an exception, and, even if the salmon itself WAS chewy and fishy (NOTE:it’s QUITE the opposite!), the Maple Dijon glaze is so good that it might actually make up for it.

stt
12oz. Ribeye;

Our meals came with the same skewer of veggies, on charred wood, which was, esthetically speaking, a very nice touch. Onions, peppers, mushrooms… we didn’t really NEED additional veggies, but I just had to sample some. My cut of meat was the 12oz. Ribeye; beautifully seared, and perfectly exemplified what I,and what most (In my humble opinion) consider medium rare. One can make pretty much any cut LOOK good though, so the flavour and tenderness were the real test. LMT passed with flying colours and then some. As a steakhouse, it was nice to see they were living up to the highlight and focus of the menu. It got even better with the additions though… the veggies alone were wonderful. The mushrooms we actually unbelievable. Apparently they, and their secret ingredient are courtesy of the manager, Denise. Apparently the chef was apprehensive, but she insisted, and we should all be very grateful that she did. The carrots were lovely too, al dente, with a hint of cracked pepper and that mysterious sweetness I recognized from the mushrooms. For my potato, I went with the Twice Baked.. It was quite large in itself and then simply bursting with filling, big chunks of bacon, and loaded with cheese- practically a meal on it’s own. The first of the specialty additions included the option of having your steak “Smothered” (Butter-caramelized medley of green & red peppers, mushrooms, onions for 2.75). If, WHEN you go to LMT for dinner, DO THIS. It’s amazing. It even has roasted garlic- whole cloves. I couldn’t believe it when I bit into one. I’m a big garlic fan myself, but if it’s not roasted properly it can be quite bitter and turn anyone off who isn’t really into garlic. Even those who claim NOT to like garlic would just be confused about this ingredient, wondering where the cool and unique texture and wonderful taste was coming from. Finally, our server recommended the Chimichurri Charred Prawns (16). Good call. Very good call. Plump and juicy, and seasoned just enough to compliment the natural flavour without overpowering the main event.

I got the call at the perfect time.. I had been craving steak all day. We were set to review “Love Me Tender”, the hot new steakhouse in The Beach. They are known for quality steak, but that’s not all. I was looking forward to sampling far more than ribeye when it came to this welcome new addition. And sample I did, with the help of my trusty sidekick and co-editor, Paul. We entered the newly renovated prime Beaches location to pleasant background music at just the right volume, shining hardwood floors, exposed brick and tasteful decorative touches in the form of an antique stove and eclectic artwork. It was cozy and intimate while being open and airy, as strange as that might sound, with big windows overlooking the passers-by on Queen St. East. A sparkling open kitchen bustled with action as staff in white coats and hats carefully prepared the next dish. We started with the brie (14). It was beautifully and colourfully presented, with deep purple poached pear cranberry chutney, and dusted cashews. We also shared the escargot (12), piping hot and perfectly cooked with a generous serving of cheese. So far, the only thing I would change is something many restaurants do..uneven appetizer portions. As diners often share appetizers, the ideal serving would include four/six/eight juicy snails, or, likewise, an even amount of tasty, lightly toasted bits of bread on which to spread the brie. It’s not easy to split a snail, or a tiny toast, so someone always has to sacrifice the extra portion.. And when the food is this good, having to give up a portion can lead to resentment at the very least! Deciding on a main course was pretty simple at first, at least on my part- steak of course. But that’s where it got difficult. The selection of cuts alone is impressive, and then you have to decide what size steak you want. It doesn’t just come with the standard choice of potato and some random seasonal veggies, but with a plethora of other choices and possible additions. It must have taken me close to 20 minutes to finalize my decision. Paul had been there before, and in the spirit of trying as many dishes as possible, he ordered the Maple Dijon Roasted Salmon Steak (28) (Center cut salmon filet glazed with Ontario Maple Syrup & Dijon Mustard). That was simple enough compared to my order, so it’s a good place to start. I’m not a big fan of most fish- tend to err on the side of caution and go with basic white fish that don’t have a strong taste at all. Salmon is but an occasional exception, because I find it often tastes fishy because it’s not cooked properly, or not especially fresh or top quality. The salmon at LMT is certainly an exception, and, even if the salmon itself WAS chewy and fishy (it’s QUITE the opposite!), the Maple Dijon glaze is so good that it might actually make up for it. Our meals came with the same skewer of veggies, on charred wood, which was a nice touch esthetically. Onions, peppers, mushrooms… we didn’t really NEED veggies on the side, but I had to try some of them. My cut of meat was the 12oz. Ribeye., and it was beautifully seared, and perfectly exemplified what I consider medium rare. One can make pretty much any cut LOOK good though, so the flavour and tenderness was the real test, and LMT passed with flying colours and then some. LMT IS a steakhouse, so it was nice to see they were living up to the highlight and focus of the menu. It got even better though with the additions… the veggies alone were wonderful. The mushrooms we actually unbelievable. Apparently they, and their secret ingredient are courtesy of the manager, Denise. Apparently the chef was apprehensive, but she insisted, and we should all be very grateful that she did. The carrots were lovely too, al dente, with a hint of cracked pepper and that mysterious sweetness I recognized from the mushrooms. For my potato, I went with the Twice Baked.. It was quite large in itself and then simply bursting with filling, big chunks of bacon, and loaded with cheese- practically a meal on it’s own. The first of the specialty additions was the option of having your steak “Smothered” (Butter-caramelized medley of green & red peppers, mushrooms, onions for 2.75). If, WHEN you go to LMT for dinner, DO THIS. It’s amazing. It even has roasted garlic- whole cloves. I couldn’t believe it when I bit into one. I’m a big garlic fan myself, but if it’s not roasted properly it can be quite bitter and turn anyone off who isn’t really into garlic. Even those who claim NOT to like garlic would just be confused about this ingredient, wondering where the cool texture and wonderful taste was coming from. Finally, our server recommended the Chimichurri Charred Prawns (16). Good call. Very good call. Plump and juicy, and seasoned just enough to compliment the natural flavour without overpowering the main event. Dessert changes all the time, but from what I’ve heard, it’s always delicious. We took a gander at the dessert tray, which, by that time of night, gave us four options, all of which were torte-based.. Fruit, a crumble, a lemon torte and chocolate hazelnut torte. Paul didn’t even have to look before he picked chocolate, and despite the change with the hazelnuts, it was as amazing as he anticipated, and I had to agree. I went with the lemon torte, which certainly didn’t disappoint… nice and tart, with not too much sweetness, and both had firm, yet flaky pastry to encase the decadence within. Both the server (Penny) and manager (Denise) were professional, friendly and attentive. They were both more than happy to answer any questions we had, and made a point of checking on us and our fellow diners regularly, but not to the point of overdoing it, as some places do. I actually noticed they didn’t leave the floor the whole time we were there... no sitting in the back playing Pokemon GO, just ensuring that each table had the best possible experience. That’s a refreshing change in the digital age! Now for the basic information that will make it easier for you to visit Love Me Tender Steak House, because you’re missing out if you don’t... Call for reservations- 416-699-1968 Address- 1968 Queen St. East, Toronto (Note the address and phone number match for simplicity!) Hours- Open for Brunch Friday at 11am, Saturday and Sunday from 10am, and from 4pm Tuesday to Thursday. Closing hours vary.. Seasonal, as it is a seasonal neighbourhood. And they accept Visa, MC, Amex and Debit. They also offer a children’s menu so don’t be afraid to bring the little ones. The brunch is fantastic from what I hear… I’m hoping I’ll be invited to review that as well (hint, hint). It was an incredible experience, and I’m not the only one who is happy to welcome this restaurant to my quaint little neighbourhood with open arms.

Maple Dijon Roasted Salmon Steak

Dessert changes all the time, but from what I’ve heard, it’s always delicious. We took a gander at the dessert tray, which, by that time of night, gave us four options, all of which were torte-based.. Fruit, a crumble, a lemon torte and chocolate hazelnut torte. Paul didn’t even have to look before he picked chocolate; despite frightening his delicate sensibilities with the addition of hazelnuts, it was still as amazing as he anticipated, and I had to agree. I went with the lemon torte, which certainly didn’t disappoint… nice and tart, with not too much sweetness, and both had firm, yet flaky pastry encasing the decadence within.

Both the server (Penny) and manager (Denise) were professional, friendly and attentive. They were both more than happy to answer any questions we had, and made a point of checking on us and our fellow diners regularly, but not to the point of overdoing it, as have been the case in some restaurants. I actually noticed they didn’t leave the floor the whole time we were there… no sitting in the back playing Pokemon GO or checking Facebook, just ensuring that each table had the best possible experience. Such a refreshing change in this digital age!

Now, for the basic information that will make it easier for you to visit Love Me Tender Steak House, because you’re missing out if you don’t…
Call for reservations- 416-699-1968 Address- 1968 Queen St. East, Toronto (Note the address and phone number match for simplicity!)

Hours- Open for Brunch Friday at 11am, Saturday and Sunday from 10am, and from 4pm Tuesday to Thursday. Closing hours vary.. Seasonal, as it is a seasonal neighbourhood. And they accept Visa, MC, Amex and Debit. They also offer a children’s menu so don’t be afraid to bring the little ones. The brunch is fantastic from what I hear… I’m hoping I’ll be invited to review that as well (hint, hint). It was an incredible experience, and I’m not the only one who is happy to welcome this restaurant to my quaint little neighbourhood with open arms.

Three Art Exhibits Unveiled at The Power Plant

Three Art Exhibits Unveiled at The Power Plant

By: Nicole Witkowski 

Fifty pocket-sized, blue books hang in a perfect square from the ceiling of a large, white room. Beneath, people push three rolling ladders from book to book. They climb up, tilt their heads sideways. open the pages and read.

This was one of the scenes at The Power Plant’s fall season opening party. The art gallery, located beside the Harbourfront Centre, unveiled three new exhibitions and a commissioned artwork. “All three exhibitions, while separate projects by artists from different parts of the world, collectively consider narrative mutability,” said The Power Plant in a press release.

Toronto-based artist Derek Sullivan was the only exhibitionist to attend the opening. The books dangling from the gallery’s ceiling are part of his “Albatross Omnibus.” There was also a large, accordion-shaped wall. Each zigzag represents the left and right pages of a book.

derek-sullivan

“Mutability, a characteristic of Sullivan’s practice, is deepened in this exhibition, with different forms and ideas folding into one another in a way that tests the boundaries of the infinite,” says the press release.
Sullivan’s work marks the seventh instalment of The Commissioning Program at The Power Plant. The program is ongoing and aims to showcase major new works by artists whose work reflects local, national and international dialogues.

Opposite Sullivan’s piece was “The Plot” by Keren Cytter, Jos de Gruyter and Harald Thys, and Isabelle Pauwels. The three videographers share a non-linear narrative approach to explore history, human relationships and space created by the camera. A constructed hut showcased two of the films. One side was straw-covered, with a window-like opening to look through. The other side had a chair and headphones plugged into a TV. The third film was projected overhead on a wall, with three rows of cubes as seats.

Upstairs was a mock saloon exhibit, “Welcome to the Hotel Number,” by Simon Fujiwara. “[It] is a multi-layered installation that sets the stage for his parents’ lives during the Franco era in Spain. The work is a reconstruction, based on photographs and oral histories, of the bar in his parents’ hotel during the 1970s,” according to The Power Plant’s press release.

These exhibits will run from September to November. For more information, you can visit wwww.thepowerplant.org.

 

Truth or Dare Play Toronto

Lindsay Mullan and Jamie Northan brought their improve show “Truth or Dare” to Toronto. Having performed at once very popular Bad Dog Theatre on Oct. 1 and Oct. 3, Mullan and Northan did the easiest (one might think) thing there is. They played a well-known game live on stage, engaging the audience in the show from time to time. Both actors usually do their “homework” preparing questions for future game. However, those questions remain secret to the partner up until they are both on stage and there is no turning back. This is how they end up telling personal stories about sex and dating, eating whatever the spectators have in their pockets and sometimes even getting naked in front of the crowd. This might sound like a piece of cake, especially if you perform for a relatively small audience, which was the case at the Bad Dog with only around 30 spectators. However, Mullan and Northan, both originally from Calgary, traveled with their show across Canada and “played” in front of several hundred people.

After the show both actors stayed for a couple drinks and talked to spectators. As it turned out, many of them have seen the show before, either in Edmonton, Calgary or Vancouver. This is a perfect illustration of the beauty of improv shows in general and “Truth or Dare” in particular. It never gets boring and even if you go every day you can still laugh your head off.

By Aliona Kuts
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FeatureContemporary Art Toronto 2015

Feature Contemporary Art Toronto 2015

Toronto – Thursday, June 25, 2015

Feature Contemporary Art Fair announces 2015 exhibitor list

It is with great enthusiasm that the Contemporary Art Gallery Association (AGAC) unveils the 2015

exhibitor list, which brings together a prestigious selection of Canada’s leading contemporary art galleries,

selected by an advisory committee of influential curators and collectors. Building on last year’s resounding

success, Feature sees the number of exhibitors increase from 23 to 29 galleries, a quantity that maintains

the intimate character of the fair. This year’s list is notably comprised of seven galleries from Western

Canada and includes exhibitors from Montreal, Ottawa, Toronto, Winnipeg and Vancouver:

Battat Contemporary

Birch Contemporary

Clint Roenisch

Diaz Contemporary

Division Gallery

Equinox Gallery

Erin Stump Projects

Feheley Fine Arts

galerie antoine ertaskiran

Galerie Donald Browne

Galerie Graff

Galerie Hugues Charbonneau

Galerie Nicolas Robert

Galerie René Blouin

Galerie Roger Bellemare & Christian Lambert

Galerie Simon Blais

Galerie Trois Points

Georgia Scherman Projects

Initial Gallery

Katzman Contemporary

Laroche/Joncas

Lisa Kehler Art + Projects

Macaulay & Co. Fine Art

Monte Clark Gallery

Parisian Laundry

Patrick Mikhail Gallery

Republic Gallery

Stephen Bulger Gallery

Wil Aballe Art Projects

Feature returns to Toronto from October 22 – 25, 2015 in the historic Joey & Toby Tanenbaum Opera

Centre owned by the Canadian Opera Company. An exclusive VIP preview will be held on Wednesday,

October 21.

 

The fair’s bold design expands to occupy two floors

Feature will make the exciting move to expand and occupy spaces on the first and second floors of the

distinguished Joey & Toby Tanenbaum Opera Centre. The innovative layout of the fair generates a

dynamic presentation space that fosters critical discussion about the works presented at the fair, which is

enriched by each gallery presenting a maximum of three artists.

Focused on providing visitors with a fresh and exciting perspective on contemporary art, Feature will

showcase approximately 80 emerging and established artists. The fair is dedicated exclusively to

preeminent contemporary art and brings together artists and galleries who demonstrate an outstanding

ability to innovate, challenge, and inspire.

TD Bank Group, proud presenting sponsor of Feature Contemporary Art Fair

AGAC is thrilled to be continuing its collaboration with TD as the fair’s presenting sponsor. We’re back! 

After a very successful inaugural year in 2014 we’re delighted to return as the sponsor of Feature in

2015, said Scott Mullin, Vice President, Community Relations for TD. Feature clearly adds to the already

robust contemporary art scene in Toronto. TD began collecting contemporary art in the 1960s. We

continue to acquire Canadian art and actively support a range of art activities across Canada including

through loans from our corporate collection for public exhibitions.

 

Art Of Building A Bunker- Factory Theatre Toronto

Art Of Building A Bunker- Factory Theatre Toronto

The Art Of Building A Bunker was an unexpected shocking pleasure, to say the least.

Guillermo and Adam teamed together to pen the 1.5 hour theatrical performance based on our subconscious prejudice against other cultures. The thoughts that we’re afraid to say out loud are portrayed by Adam effortlessly as he depicts the life and times of himself, alongside seven other characters. 

The solo performance of these characters conveyed through Adam’s artistic portrayal was everything that I didn’t expect from a traditional theatrical standpoint. Adam’s talent was equally as apparent and full of a captivatingly flawless edge. The overall bold humor and shock value was an absolute understatement, further instilling our inner inferiority against other races. This piece was all about the way society thinks and feels but without the harsh wrath of social appropriatism

The Art Of Building A Bunker was presented by Factory Theatre. The newly renovated theatre now holds a refreshingly contemporary spin on the 145 year old  heritage building, housing a new age vibe of creativity and inspiration.

Reviewed by Tara Haggar
Bloor News

 

Acting, Art Of Building A Bunker,Canadian Rep Theatre, Factory Theatre Toronto, live theater, play scripts, plays, Playwright, reviews,stage, Theater, theater, theatre company, theatre toronto, toronto,toronto theatre, toronto theatres

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